Brioche Knitting

Thank you to our guest editor today – Jane Dunning.  A class in two-color brioche stitch with Linda Forget will be offered April 20-21 from 1:00 – 3:00 at Sheep and Shawl in South Deerfield, MA. Call 413-3979-3680 to register.

I am so glad that I signed up for the class at the Sheep and Shawl yarn shop for “brioche”  knitting. I had tried to learn it from both a book and from an internet video, and it seemed to be very complicated. This class proved that it is not above my ability, and is actually a  very pleasant way of knitting, once you get into the rhythm. I was, however, glad that she  had us put in a lifeline after a few rows. I lost concentration, at one point, and I was glad to be able to use it. I had chosen a green heather yarn that I came to love, the more that I worked with it. The class was time well spent, a bit of time away, and a new skill to play  with. There are two types of brioche… the one color brioche, which I learned this week, is  relatively simple, especially if you have the advantage of a good teacher and a small class. The basics are here:

Cast on an even number of stitches.
We cast on 24, using a loose cast on.
Row 1: *Yarn over, (yarn in front) slip 1, knit 1.
Repeat from * across.
Row 2: *Yarn over (yarn in front), slip 1, knit 2 together.
Repeat from * across.
Repeat only row 2 for pattern. Note that with the preparation row you’ll be working on more stitches than you cast on, so plan for that when determining gauge. When ending a project or area of brioche, work the row by eliminating the yarn overs and simply purling 1 and knitting 2 together across, loosely.Brioche sample JD

You will notice that I have placed a marker on the right  side of the piece, so that If I choose to add another color at some point, I can add it on that side.

This makes a soft and “squishy” fabric that is warm and cozy. The two color brioche is a bit more complicated, but produces a fabric that is very dramatic in appearance. Sheep and Shawl in South Deerfield will be offering a course in April so that we can work on the two-color version.
brioche bread JD
Brioche stitch was named for a type of a light, sweet yeast bread typically in the form of fluffy buttery bun. The stitch was used in 18th century England to create a soft cushion.


2-color brioche JD

This is a dramatic example of two-color brioche stitch. To see more examples of two-color brioche, use this link:


Read Knitting Books for Enjoyment!

Do you ever read cookbooks for enjoyment, not just the recipes? You know the ones, they talk about where food comes from, who invented specialties in recipes, the sense of place that food evokes, and sometimes a travelogue of far-away places.

I look for that in knitting books too, and here are several I’m especially fond of – the newer ones I’m still reading, but I’ll point you in their direction anyway. You can find them on the shelves at Sheep & Shawl.

infootstepssheepIn the Footsteps of Sheep, by Debbie Zawinski, is a wonderful specialized tour of Scotland in search of different breeds of sheep and enough of their bits of shed wool (along fence lines, blowing across the grass) to spin yarn and design and knit socks. She found 10 different breeds and includes patterns for 11 different socks. But the sense of place and love for her travels, often by foot and solitary, in all kinds of weather, meeting unusual folks along the way are enchanting. You may never knit socks, but you’ll enjoy reading this book.

KNITSONIK Stranded Colourwork Sourcebook, by Felicity Ford, aka Fknitsonikcoverelix, is all about color in the UK as seen through her eyes in finding ways to incorporate the landscapes around her, as well as the daily objects she is drawn to by color and design and pattern, into the mesmerizing patterns of Fair Isle, also known as stranded colorwork, knitting. The beautiful photos may make you want to immediately start swatching in multi-colors. But you can also get happily lost in her enthusiasm for the daily beauty around her. She gives you her step-by-step directions and practical exercises if you want to follow her method, but she really wants to inspire you to find what makes you happy in the colors around you, and that’s definitely worth exploring.

Buachaille, by Kate Davies, is about her journey in developing her own yarn line, sourced from Scottish sheep and spun in an historic Yorkshire mill. She reflectbuachaillecoverwebs on how the landscape influences the qualities of the fleece and named her yarn after one of her favorite West Highland mountains. The book is filled with evocative photos of that landscape, with Kate wearing her knitted creations (she is a designer of many knitting patterns). She is also an expert blogger, an academic and author in a former career. Her attention to detail, her inspired passion about the feel of the yarn, the quality of the light, the local food her husband cooks (here is a book where you get recipes as well as knitting patterns as well as a profound sense of place), are what make so many knitters follow her blog and her latest pattern release. The book is a treasure.

10 Reasons Why I Love to Knit with Wool

  1. Wool is warm and toasty to wear Fall through Spring. In fact, it can keep you cool in Summer as well (surprising, I know, but read about the thermal properties of wool).
  2. Wool connects me to sheep, an animal that has provided fiber for clothing for thousands of years worldwide.
  3. Wool is nearly waterproof, is still warm when wet, and can be made waterproof by felting. It reminds me that some ancient and modern people have used large mats of wool felt to create nomadic housing (yurts). At one time I considered building a yurt in my back yard as a weaving studio!
  4. Wool is a renewable resource – fleeces must be shorn from sheep every year to keep them healthy, and we benefit from the yarn spun from the fleece.  OLYMPUS DIGITAL CAMERA
  5. Wool yarn comes in a variety of sizes, from lace weight to bulky, so there is never a shortage of accessories I can knit.
  6. Knitting with wool is good for the hands. Some wool yarns are minimally processed and still contain lanolin (the sheep’s natural “oil” in the fleece), providing a nice waxy smell, and smoothing the hands that are gently exercised by knitting.
  7. Knitting with wool connects me to my ancestors who also knit with wool. Browsing through vintage knitting magazines and reading articles about historic and traditional knitting patterns offers me more connection.
  8. Buying wool yarn from local farmers in my area helps to protect the local economy, buying as close to the source as I can (as I am not a shepherdess). Sometimes I even know the name of the sheep whose wool I use.
  9. Buying wool yarn that is locally and regionally produced in other parts of the country and the world helps to protect those local economies and to create and maintain community supported agricultural efforts.
  10. I like to share my knitted wool accessories by wearing them, displaying them at my yarn shop, teaching knitting classes, designing knitting patterns to sell, and spreading the word about my love for wool. I like the community that wool helps to create.   See more  Yarn * Crafts * Community  at or come by the shop and chat a while.

covered button tutorial

Look how beautiful these buttons are! Thank you Kate Davies!

Laura’s Loom, UK, comes to visit!

We all have our own life to pursue, our own kind of dream to be weaving, and we all have the power to make wishes come true, as long as we keep believing. – Louisa May Alcott

I’ve seen a few trees with branches of leaves turning to Fall colors and the goldenrod is tall and full of Autumn gold.   Oops – rewind ~~~~~~~~~~~   I still have a few blogs from my summer to share!


Laura Rosenzweig of Laura’s Loom, UK, came to visit me and Sheep & Shawl early in July. 

Laura's on the left

Laura’s on the left

  We are old friends from the days we worked together in Boston in environmental planning and mapping. We’ve both changed our careers – using our hobbies in fiber arts – weaving and knitting – to create our own businesses. Laura has a well-established headstart in her expert handweaving, using silks, fine wools, and chenille. She has also been sourcing local and regional wool fleeces that she sees through all the processes from cleaning (scouring), carding, and spinning, to mill-woven finished throws and scarves. She has these woven at a small textile mill to her designs and specifications under the name Howgill Range (the region where she lives and sources the fleeces). She sells at UK fiber fairs, online, and through her studio, and takes commission work for her specially designed handwoven throws and silk scarves.

I’m not quite a year old in the retail business carrying locally and regionally sourced natural fibers in rovings, yarns, and fiber arts (handwoven, handdyed, and hand felted textiles, as well as handspun and handdyed yarns) available directly at my shop along with books, tools, classes, and events. Now that Laura is also selling skeins of her locally processed Hebridean, Shetland, and Blue Faced Leicester yarns – in lovely natural color blends (no dyes) named St. Kilda, Morar, Tarbet, and Nevis, plus a marled one and a “classic cream.”

5 of 7 natural colors

5 of 7 natural colors

I’m planning on selling a very limited quantity of these 2-ply yarns in the shop primarily for knitters, although weavers can also use them. To see and read more about Laura’s love of landscape and fiber arts, please read her website at


There is … be…

There is … beauty in the migration of the birds, the ebb and flow of the tides, the folded bud ready for the spring. There is something infinitely healing in the repeated refrains of nature – the assurance that dawn comes after night, and spring after the winter. – Rachel Carson

Happy Earth Day to all.  How do you connect to the Earth every day?  I find even the simplest actions help – looking up at the stars before I go to bed, listening to the chaos of bird chorus when I wake, trying to identify one bird at a time by song (harder for me than by sight), loving that we saw our first Red-breasted Grosbeak on a Sunday morning bird walk.  My newest shawl is a Color Affection shawl (pattern on Ravelry) in muted teal, moss-olive green, and bright blue – colors of the sea, earth, and sky.

In Search of Tiny Yellow Flowers

I had not heard that Gabriel Garcia Marquez had recently passed. Here is a loving tribute by another blogger. His book One Hundred Years of Solitude was one of the most influential (to me) that I have ever read.

Mermaid of the Plains

On Thursday, April 16, Gabriel Garcia Marquez, winner of the Nobel Prize in Literature (1982) took leave of this earth. I learned of his passing late in the evening while perusing the day’s news and was immediately saddened by his passing. The first thing I envisioned was Mexico City blanketed in tiny yellow flowers, as in the passage from One Hundred Years of Solitude etched upon my heart the moment I read and reread the last paragraph of what, if numbered, would be chapter seven:

” Then they went into José Arcadia Buendia’s room, shook him as hard as they could, shouted in his ear, put a mirror in front of his nostrils, but they could not awaken him. A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in…

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